S.R.

A Round of Robins

Written by Katie Hesterman and published by Nancy Paulsen Books/Penguin Random House, was released on March 27, 2018.9780399547782_p0_v1_s600x595

This Is Not a Picture Book!

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This Is Not a Picture Book! came out on May 3, 2016, published by Chronicle Books. You can find a copy at your local bookstore or order it on Indiebound.

“Such a lovely, irreverent illustrated ode to books and why we read.” –Brain Pickings

Named a New York Times Notable Book of 2016

Named a Publishers Weekly Best Picture Book of 2016

Named a School Library Journal Best Picture Book of 2016

A Parents’ Choice Gold Medal.

“An affirmation of the transformative power of reading.” –Kirkus Reviews, starred review

“A book about learning to read. offers gentle empathy for kids tackling this intimidating task.” –Publishers Weekly, starred review

“Sweet, profound book… pays a sneaky tribute to the power of words and pictures to work together. Brilliant endpapers.” –The New York Times

“Effectively demonstrates the magic of reading and the power of imagination.” –School Library Journal, starred review

“Read. Share. Repeat. This one is a joy.” –Julie Danielson, Kirkus Reviews

 

Helpful Books for Disturbing Times

Here is a small selection of children’s books that I personally find helpful and perhaps hope-inducing without trying to hammer a moral lesson into your head, which could be not only painful but counter-productive.

(The links are to Indiebound.org, but of course you can find or order these books at any other bookstore or library.)

 

Arnold Lobel

Grasshopper on the Road

9780064440943

http://www.indiebound.org/book/9780064440943

 

Leo Lionni

Little Blue and Little Yellow

little-blue-1

http://www.indiebound.org/book/9780688132859

 

Tony Kushner and Maurice Sendak

Brundibar

9780786809042

http://www.indiebound.org/book/9780786809042

 

Jo Hoestlandt and Joanna Kang

Star of Fear, Star of Hope

Star of fear

http://www.indiebound.org/book/9780802775887

 

Tomi Ungerer

Otto: The Autobiography of a Teddy Bear

51UeK3Gw6iL._SX357_BO1,204,203,200_

http://www.indiebound.org/book/9780714857664

 

Ruth Krauss and Crockett Johnson

The Carrot Seed

TheCarrotSeed

http://www.indiebound.org/book/9780064432108

 

William Steig

Amos & Boris

Amos-Boris

http://www.indiebound.org/book/9780374302788

 

This Will Be Your Picture Book!

Teachers! Librarians! Bookstore event coordinators! Parents! Kids!

Here’s a little bundle of ideas for your drawings. Click on the image below to download the PDF, and enjoy!

thiswillcoverhoriz

 

Three Stars So Far

Some reviews for This Is Not a Picture Book! have come out. As usual, Publishers Weekly and Kirkus were the first ones, and they both gave my new book (my first with Chronicle) wonderful, starred reviews. More recently, School Library Journal published their own starred review.

PW writes:

This isn’t a book about books; it’s a book about learning to read. A duckling with a pink beak picks up a fat volume and discovers, in the irritated comment of the title, that it has no pictures. “Can you read it?” asks his sidekick, a bug. “I’m not sure,” says the duckling. “Words are so difficult.” In luminous watercolors, Ruzzier (Two Mice) shows the duckling and bug crossing into a strange, many-colored world, where unfamiliar words are represented as odd machines, blobby shapes, and bizarre creatures. When the duckling stumbles on a word he knows (“bee,” “flower”), its recognizable image pops up among the mysterious ones. Duckling and bug wander through the ever-changing landscape of reading—“There are wild words… and peaceful words”—before landing cozily in bed. Ruzzier’s story offers gentle empathy for kids tackling this intimidating task. Observant readers will note that the endpapers represent learning to read, too; the initial pair retells the story as a beginner might see it, with most of the words scrambled, while the words of the final endpapers read clearly—and no pictures there, either.

And here’s what they think at Kirkus:

A metafictive delight of a picture book.

Alice would be pleased: despite Ruzzier’s title, there are plenty of pictures and ample conversation in this picture book. The titular book within the book, however, is illustration-free. This initially causes distress for the duckling protagonist (who oddly has a bellybutton, but that’s beside the point) who finds the book in the spreads before the title page. When a bug appears and asks, “Can you read it?” the duckling gives it a try. In a brilliant feat of page layout, the recto depicts a green landscape encroaching on the verso, with a log laid across a chasm as a bridge to the white space on which the duckling and bug stand. Their walk across the log is a visual metaphor for the duckling’s successful decoding of the text in its pictureless book. Whole worlds open up to them as the duckling reads aloud. Illustrations depict these worlds evoked by “wild words… / and peaceful words,” and the duckling ultimately declares that “All these words carry you away.” The satisfying conclusion is an affirmation of the transformative power of reading. In one outstanding design touch, the front endpapers tell the not-a-picture-book text in garbled type with transposed letters that one must strain to decode, while the text is clear in its entirety on the back ones.

 

School Library Journal:

In this winsome examination of the power of words, a little duckling is delighted to find a red book lying on the ground. “Where are the pictures?!” the fuzzy yellow bird exclaims in dismay upon opening it up. The duck flips through the pages, scanning the plethora of print, and begins to recognize some of the words. His interest and enthusiasm flourish as he continues, reading words that are funny and sad, wild and peaceful. His imagination takes off, and along with his tiny cricket friend, the duckling is swept away on a fantastic adventure. He tells the little insect, “All these words carry you away…and then…they bring you home.” The straightforward tale is enhanced by endpapers featuring lines of text, which are jumbled in the front and placed in order to relate the duck’s story in the back. The eclectic pen, ink, and watercolor illustrations add color and energy to the narrative. At first, the pictures are set against a canvas of white space and then slowly expand as the duck begins to envision scenes with each additional word he reads. One of the final spreads portrays the duck and his friend safe at home in his bedroom, which contains a shelf crammed with books.

 

 

 

I can’t wait to know what the others think!